Artist: Art Of Noise
Genre(s):
Industrial
Dance
Other
Discography:
Metaforce (Feat. Rakim)
Year: 1999
Tracks: 6
Best Of Art Of Noise
Year: 1997
Tracks: 10
The FON Mixes
Year: 1991
Tracks: 14
The Ambient Collection
Year: 1990
Tracks: 1
Anne Dudley, Gary Langan, and Paul Edward Williams Morley were members of producer Trevor Horn's in-house studio stria in the too soon '80s earlier they formed the Artistic production of Noise, a techno-pop grouping whose euphony was an amalgam of studio gimmickry, taping splicing, and synthesized beat generation. The Art of Noise took material from a change of sources: hip-hop, stone music, jazz, R&B, traditional pop, show sounds, and haphazardness completely worked their way into the group's distinctly postmodern soundscapes.
Dudley was the center of the mathematical group, having arranged and produced stuff for Frankie Goes to Hollywood, ABC's, and Paul Sir James Paul McCartney earlier forming the Art of Noise. The 3 sign with Trevor Horn's ZTT tag, releasing their origin EP, Into Struggle With the Artwork of Noise, in 1983. The undermentioned year, the grouping released the full-length (Who's Afraid Of?) The Prowess of Noise!, which featured the hit individual "Close (To the Edit)."
Afterward "Close (To the Edit)," the group parted shipway with Horn and ZTT, releasing In Visible Silence in 1986; the record book album included the U.K. Top 10 stumble "Simon the Zealot St. Peter Gunn," which featured Duane Eddy on guitar. Re-works of the Artistic production of Noise, an record album of remixes and live tracks, was released that lapplander class. In No Good sense? Nonsense!, released in 1987, saw the striation experimenting with orchestras and choirs, as well as horns and reel bands. The next yr, the Graphics of Interference released a greatest-hits collection, The Best of the Artistry of Noise, which featured their collaboration with Tom Daniel Jones on Prince's "Osculation."
Under the Waste (1990) captured the ring experimenting with public music; it received a lukewarm critical and commercial message reception. The followers twelvemonth, a low-key remix record album directed by Putting to death Joke's Young called The Ambient Collection appeared. Later in the class, the Fine art of Noise broke up. Dudley last worked with Putting to death Joke's Jaz Coleman and Phil William Wilkie Collins. Horn, Dudley, and Morley reunited in 1999 for a new record album, The Seduction of Claude Claude Debussey. Kevin Godley and Lol Creme were added to the lineup.
